I think that one of the earliest moments in the film where
we can see the brutality of the Holocaust in evidence was a simple moment when Szpilman
is walking alongside one of the many walls in Warsaw, he sees a small hole where a child
is dragged through it. He tries to help the child through, but it is too late. The
camerawork is brilliant because we suddenly hear and see a child, like Szpilman, but
then we don't know what happens to the child. We are left with this haunting image of a
child trapped underneath a wall, struggling. We don't know if the child is struggling
to get inside the wall or get outside of it. We only know there is a child and there is
struggle. It's so quick, so instantaneous, but so resonant in our minds that we have
little to go on afterwards, but our memory. It is a moment that shows the inhumanity in
the Holocaust. It is so present, and yet, so fleeting. Its permanent residence in our
mind is what makes the image so haunting.
Friday, July 29, 2011
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