Tuesday, December 29, 2015

Examine the title of the novel Shadow Lines.

Excellent question! Of course, Shadow
Lines
was also the title of a novella by Joseph Conrad, but one of the
reasons why Ghosh appropriated it was that the title of this fascinating work relates to
a key concern of postcolonialism - that of borders and boundaries and how they are
created and sustained but also how they are easily ruptured and shown to be
illusory. Shadow Lines is an amazing story that transgresses
multiple borders. Postcolonial criticism examines and criticises man-made boundaries and
borders as attempts to define a particular group as against another group ("the other").
Postcolonial criticism attempts to rupture these apparently secure boundaries by
examining those who live on the margins of these boundaries and also deconstructing
(taking apart) the notion of the other. This is particularly true of the "invention" of
India the nation, with the Partition of 1947 which drew imaginary lines across India,
creating the countries of Pakistan, Bangladesh and India and also causing much death
from the resulting riots.


The narrative in Shadow
Lines
is constantly transgressing boundaries of space and time, thus giving
the novel its title, as the lines that divide places and even times are shown to be
easily transgressed - "Shadow Lines."


Consider this quote
regarding the inherent fragility of boundaries:


readability="11">

[About seeing the border from the air] But if
there aren't any trenches or anything, how are people to know? I mean, where's the
difference then? And if there's no difference both sides will be the same; it'll be just
like it used to be before, when we used to catch a train in Dhaka and get off in
Calcutta the next day . . .
(151)



Or consider Robi's
disgruntled take on borders and nationalism, when he suggests "...why don’t they draw
thousands of little lines through the whole subcontinent and give every little place a
new name? What would it change? It’s a mirage; the whole thing is a mirage.” It is these
shadow lines that the title of this work refers to, thus establishing the temporary and
ephemeral nature of various lines in our lives which we treat as so
permanent.

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