In his essay, "Cervantes as Narrator of Don
Quixote, Howard Mancing states that one critic, Parr, attributes the voice of
the narration to what he calls a "dramatized author." On the other hand, another
critic, John Weiger, calls this narrator a "prologuist," a voice separate from the
others of the novel, stating,
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Few doubt that the prologuist's friend is a
fictional character. Virtually no one doubts that the conversation is fabricated. It
follows that the fictitous friend's interlocutor, the prologuist is equally
fictitous.
Still, Allen
continues, some attribute the narration to the author since some of the historical
truths are consistent with those of the author himself. And, since the author
fictionalizes himself at time, it is easiest for readers to make this final assumption.
Alberto Poqueras Mayo, who has studied the prologue as a literary genre in sixteenth and
seventeenth century Spain, contends that the prologue is the author's direct link to the
reader; so, therefore, it is Cervantes who is the narrator. As further evidence, there
are other works by Cervantes when he apparently is the author of the
prologues.
Since the main theme of Don
Quixote is the conflict between reality and fiction, it follows, Allen
continues, that there should be some confusion about who is the narrator of his
prologue, the author contends. In the prologue to Part I, Cervantes pretends to discuss
with his friend the nature of prologues. He states that he is not the
padre, but the padrasto of the book. That he is the
editor seems verified by his claim to have search archives of La Mancha for the data in
the narrative. But, this may be Cervantes having a bit of fun at the convention of
books of chivalry which were purported to be historical
documents.
This irony sets the tone for the text: lightly
satiric, festive, and "intellectually subtle." Cervantes's voice--whichever it may
be--accomplishes what prologues are meant to do: It sets the readers' expectations and
gives them a concept of the narrative to follow.
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