Tuesday, January 19, 2016

In the novel Wuthering Heights could you point me some of the parataxis and hypotaxis (sentences) in the first and second chapter?

Much of Lockwood's description of Heathcliff and Wuthering
Heights employs parataxis (non-subordinated clauses):


readability="37">

The apartment, and furniture would have been
nothing extraordinary stubborn countenance, and stalwart limbs, set out to advantage in
knee-breeches, and gaiters.    Such an individual, seated in his arm-chair, his mug of
ale frothing on the round table before him, is to be seen in any circuit of five or six
miles among these hills, ....  He is a dark skinned gipsy, in aspect, in dress, and
manners, a gentleman, that is, as much a gentleman as many a country squire: rather
slovenly, perhaps, yet not looking amiss, with his negligence, because he has an erect
and handsome figure -- and rather morose -- possibly, some people might suspect him of a
degree of under-bred pride -- I have a sympathetic chord within that tells me it is
nothing of the sort; I know, by instinct, his reserve springs from an aversion to showy
displays of feeling -- to manifestations of mutual kindliness.    He'll love and hate,
equally under cover, and esteem it a species of impertinence, to be loved or hated again
-- No, I'm running on too fast -- I bestow my own attributes over liberally on him.   
Mr Heathcliff may have entirely dissimilar reasons for keeping his hand out of the way,
when he meets a would-be acquaintance, to those which actuate me.    Let me hope my
constitution is almost peculiar: my dear mother used to say I should never have a
comfortable home, and only last summer, I proved myself perfectly unworthy of
one.



Notice Lockwood says
"No, I'm running on too fast -- I bestow my own attributes over liberally on him."  This
is indicative of parataxis: the free association listing of items without coordination
or subordination.


Hypotaxis, on the other hand, is more
thoughtful and ordered:


readability="19">

On coming up from dinner, however, (N.B. I dine
between twelve and one o'clock; the housekeeper, a matronly lady taken as a fixture
along with the house, could not, or would not comprehend my request that I might be
served at five.) On mounting the stairs with this lazy intention, and stepping into the
room, I saw a servant-girl on her knees surrounded by brushes, and coal-scuttles; and
raising an infernal dust as she extinguished the flames with heaps of cinders.    This
spectacle drove me back immediately; I took my hat, and, after a four miles' walk,
arrived at Heathcliff's garden gate just in time to escape the first feathery flakes of
a snow shower.



Notice the
subordinating and coordinating phrases and clauses: "and," "however," etc...  Here,
there is spatial and temporal organization.

No comments:

Post a Comment

Comment on the setting and character of "The Fall of the House of Usher."How does setting act as a character?

Excellent observation, as it identifies how the settings of Poe's stories reflect the characters of their protagonists. Whet...