The most important aspects of identity are related to
social class and animal symbolism (anthropomorphism). Steinbeck sets up a
social class hierarchy on the ranch based on the white male's work
status:
THE RULING CLASS:
1.
The Boss
2. Curley
THE
WORKING CLASS:
3. Slim
4.
Carlson, Whit
5. George / Lennie (Lennie is in two
classes, really. He does the work of two men in the fields, but in the bunkhouse, he's
like a child)
THE
UNDERCLASS:
6. Candy (old, missing
hand)
7. Lennie (mentally
disabled)
8. Curley's wife (a woman in a man's
world)
THE OUTCAST:
9. Crooks
(lives alone because of his race)
In terms of
animal symbolism, here are the
connections:
Lennie: identified as a bear early by the size
of his hands. Also connected to mice and puppies (which he kills). Later, dreams of
tending rabbits. Thinks he sees a giant rabbit, symbolic of his Id, or pleasure
principal.
George: not identified with much animal
symbolism, but he's small and crafty (fox?).
Slim:
identified by the team of horses he drives. A leader. The hero of the
novella
Curley: hates big fellas, so he's got a Jack
Russell (little dog) complex.
Curley's wife: becomes like
the dead mice and puppy that Lennie kills. Dies in the barn like an
animal.
Candy: identified by his old smelly dog, which gets
shot by Carlson
Crooks: crooked back like the mule that
kicks him. Lives in the stable next to the mules.
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