This poem is filled with irony. The author refers to
several kinds of "warfare."
First he refers to the
crucifixion of Christ (plank of wood, cock that crows, and a hill,
etc.).
Next, he refers to the killing of knights during the
medieval period (length of steel, metal cage he wears, and a castle,
etc.).
The third stanza refers to World War I (gas, rats,
and a dozen songs), while the fourth stanza refers to World War II (the atomic bomb and
Hitler—the psychopath).
Through the entire "timeline" of
the poem, the author talks about these "cumbersome" ways of killing, while paradoxically
each stanza shows advancements in more sophisticated ways to
kill.
However, the pivotal point in the poem is found with
the final stanza. It reiterates that all the prior methods listed are cumbersome. This
is a surprise, not for the first several stanzas, but it is for the
stanza on World War II: when advanced technology had created an atomic bomb that brought
about Japan's surrender.
The final irony is the author's
message that advancements in technology provide no better way for killing: the best way
to kill, he pro ports, is to leave mankind to its own devices. By
doing so, men will kill themselves in the way they live during the most advanced age
known to man, the twentieth century. In other words, when mankind should have the most
answers to avoid war, without any help the human race will
"self-destruct."
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