Like all classics, Alexandre Dumas's novel The
Count of Monte Cristo has the great appeal of an intriguing plot, as well as
what defines every classic: memorable characters. Extremely popular as a writer in his
time, Dumas's appeal is to all ages and genders.
The
historical context of the play provides much intrigue. That the Abbe Faria is imprisoned
for the opposite reason that Edmund Dantes stimulates interest in the history of France
as well as the mystery of the Abbe's acquiring of the treasure of Monte Cristo and the
mystery of Gerard de Villefort's father, Monsieur de Noitier. Of course, the cleverness
of Dantes as Monte Cristo with all his disguises as he accomplishes his goals as the
paraclete of Providence who avenges injustice is among the creme de la
creme.
Finally, while Edmund Dantes does avenge
himself, he is no Madame DeFarge, a flat character of one demanding idea. Instead, his
vengeance is that of the type in Old Testament-style and is tempered by his loyalty and
generosity to the Morrel family. The once young sailor has never forgotten the love and
kindness that M. Morrel showed to Edmund's father while he was in prison; so, he pays
the debts of the shipowner and saves him from bankruptcy and disgrace. Likewise, he
rescues Morrel's son Maxillian from despair, teaching him to "Wait and
Hope."
Having worthwhile themes, an intriguing plot, and
memorable characters, The Count of Monte Cristo is a classic that
yet delights young and old, male and female. It is a novel that has been read by the
twelve-year-olds who happily map their way through the heavy two volumes, and then by
young adults and again by older adults, who all find meanings of their own. Indeed, it
is a wonderful novel, a delight for all who enjoy adventure and love--but, most of all,
excellent tales. Even some reluctant readers have been converted and have enjoyed this
novel.
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