One cannot really speak about Bradbury's motivations when
dealing with the order of events in Fahrenheit 451. One can't
really speak for a writer anytime, unless some external evidence--like the writer's own
comments--gives one "inside" information. All one can do is deal with the results or
effects of what is presented in the work. Commentators are not privy to writers'
thought patterns.
Introducing Clarisse first creates a
stark contrast with Millie, once both are revealed. Clarisse is, figuratively, placed
opposite of or pitted against Millie for Montag's interest. Millie's shortcomings, and,
thus, the shortcomings of Millie's society, are highlighted by her juxtaposition with
Clarisse. Seriously, who would you rather spend time with? The 1966 (I believe) movie
plays on this by having the same actress play both parts, and by having Clarisse and
Montag meet again (sort of) after Montag's escape.
The
introduction of both characters one right after the other creates this stark contrast.
However, I don't know that the effect would be much changed if Millie had been
introduced first, followed quickly by Clarisse. I don't know that the order here is
significant.
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