Saturday, December 20, 2014

Compare and contrast the use of dark/light in 1984, especially in regards to the prostitute encounter and the encounter with Julia.

There are varying degree of sex-crimes in the dystopia of
1984.  Winston's consulting with the prostitute in Part I chapter 6
is not as risky as meeting secretly with Julia in the
woods.


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Consorting with prostitutes was forbidden, of
course, but it was one of those rules that you could occasionally nerve yourself to
break. It was dangerous, but it was not a life-and-death matter. To be caught with a
prostitute might mean five years in a forced-labour camp: not more, if you had committed
no other offence.



The
prostitute is a Prole and not so much of a threat as Julia, an Outer Party member and
organizer in the Junior Anti-sex League.


In terms of
Chiaroscuro (contrast of light/dark), the encounter with the
prostitute is set in a slum which is dark and dank.  Winston is afraid to turn on the
lights.  When he does, he discovers nightmarishly that the prostitute is less than he
expected:



When
I saw her in the light she was quite an old woman, fifty years old at least. But I went
ahead and did it just the
same.



In the Golden Country,
or The Place Where There is No Darkness, Winston and Julia meet in a Garden of Eden
setting.  There are no cameras, no bombs, no Secret Police.  It is an idyllic
setting.


As well, Julia is young and lithe, not a wrinkled
hag.  There is no Oedipal guilt when Winston lies with her.  The natural light on Julia
symbolizes a freedom Winston has never experienced.  The woods, though dark shelter,
offer a welcoming surrounding devoid of technology and fear.

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